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Continue reading “Episode 60: Synth Our Last Episode…”The podcast that runs on impulse power.
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Continue reading “Episode 60: Synth Our Last Episode…”I don’t know what I was expecting from “Star Trek: Picard,” but it certainly wasn’t a Dixon Hill holo-novel.
Still, that is what I got.
The first two episodes of this series feel like the opening act of some hard-boiled detective story, just substitute Admiral Jean-Luc Picard (Sir Patrick Stewart) as the retired gumshoe who has all but given up the will to live. Through circumstances we soon come to understand, Picard has lost his fire. He is now as disheartened as a Ferengi locked inside a root beer factory. He is a ghost of the figure we once knew. This Picard is easily winded by a flight of stairs. He sleeps ’til long after sunrise. He dreams of the past, obsessed by visions of the late Commander Data. At one point he even pines, “The dreams are lovely. It’s the waking up that I’m beginning to resent.” And yet, when presented with an intriguing puzzle to solve, Picard slowly begins to energize himself. The detective within him awakes. By the end of episode two, he is clearly a man on a mission.
Looking at it through that lens, these first two episodes in the freshman season of “Picard” have offered up more twists and turns than the Dixon Hill novels “The Big Good-bye,” “The Long Dark Tunnel” and “The Curse of the Black Orchid” combined. Or at least I imagine they do. After all, the Dixon Hill holographic novels do not actually exist. Yet.
First, there is the mysterious Dahj Asha (Isa Briones), a young woman who learns that she is an android. What’s this? A confused synth? Jean-Luc may need to pull in Detective Rick Deckard from “Blade Runner” to consult on this one. After being accidentally “activated,” Dajh instinctively seeks out Picard for protection. Why? This is the first mystery Picard must unravel. In fact, Dajh is the catalyst for this entire journey. She is Picard’s Maltese Falcon. When she is literally blown to pieces before his eyes, all seems lost. That is, until he learns there is another — her twin, Dr. Soji Asha. If Picard can only find her, he believes the mystery can be solved. However, like any good film noir tale, there are powerful forces at work behind the scenes. There are lies and truths, and blurred lines that barely separate the two. These are the things that will truly test Picard’s rejuvenated mettle.
Next, consider the story’s duplicitous Romulan, Narek (Harry Treadway), a covert operative for the Zhat Vash. This cabal is so ancient, it predates the dreaded Romulan secret police, the Tal Shiar. Landing at the unlikeliest of locations, a damaged Borg cube, Narek quickly uses his “bad boy” charm to seduce Dajh’s twin, Soji Asha. Why is Narek so interested in Soji? More importantly, will Narek ultimately stay true to this yet-to-be-revealed mission? Or will he develop feelings for the synthetic life form and find himself pitted against his sister, double agent Lt. Narissa Rizzo (Peyton List)? We must read the next chapter to find out more.
Then there is Dr. Agnes Jurati (Alison Pill) of the Daystrom Institute. She appears to be an expert that Jean-Luc can count on in his quest to locate Soji Asha. But wait. Dr. Jurati once worked with Bruce Maddox, the man obsessed with deconstructing Commander Data in an attempt to create similar androids. Can she really be trusted? After all, the “synths” that destroyed the Utopia Planitia Fleet Yards on Mars were created in her department at the Institute. Is she an undercover agent for Maddox? Think about it. Isn’t it the character you suspect the least the one who often ends up stabbing the hero in the back? Trust no one, Dix. Uh, I mean Jean-Luc.
Speaking of which, let’s not forget the Romulans Laris and Zhaban (Orla Brady and Jamie McShane). These household helpers at Chateau Picard have a past shadier than a cave on the Moon during a total eclipse. Yet the couple seems very eager to help Picard. Maybe a bit too eager. In Dahj’s apartment, Laris goes so far as to reveal a host of Romulan tricks while she attempts to locate Dahj’s twin. Is the long game of earning Picard’s trust part of some greater plan? After all, Laris and Zhaban are known to have once been agents of the Tal Shiar. Anything they say may be a lie. Any assistance they offer may ultimately lead Picard into a dead-end alley of pain.
And Picard, like any good dime-novel detective, is out of favor with the authorities. We learn that years ago he bucked the system, trying to force the Federation in general, and Starfleet in particular, to do the right thing. Nevertheless, the Federation virtually abandoned the Romulans in their hour of need, leaving Picard no choice but to resign. Now, in an effort to get the resources needed to solve the mysteries of Dahj, the rogue synths and the Zhat Vash, Picard returns to Starfleet Command. It is here that the retired Admiral is given a profanity-laced dressing down by Admiral Clancy (Ann Magnuson). It’s a scene that plays out like a police captain telling a rogue copy “Turn in your badge and your gun. As of now you are off this case. Go home.”
Ultimately, Picard turns to a former ally, Raffi Musiker (Michelle Hurd) for assistance. Can she be trusted? Let’s hope so. Picard can’t do this alone.
For good measure, there is even a potential time bomb planted in the story. Picard has a brain abnormality, also referenced in the “All Good Things” episode of Star Trek: The Next Generation. Dr. Benayoun (David Paymer) tells Jean-Luc that the defect in his parietal lobe could ultimately lead to disaster. Is this a red herring? Or will Picard’s condition have an important part to play in this story?
In the Dixon Hill holosuite novels, like any good pulp fiction, it seemed you could always expect shifting alliances, shadowy figures, plans within plans and the occasional dead body. The same might be said of this new story. There is much to be revealed over the remaining eight episodes of “Picard.” But at the end of the journey will Picard’s Maltese Falcon be made of gold and jewels, or will it be a simple lead decoy that propels the quest onward into season two?
Next episode: “The End is the Beginning”
Random thoughts and observations:
In this Special Episode we talk to Marc B. Lee who attended the Star Trek: Picard premiere as well as the Chinese Theater ceremony where he left imprints of his hands and feet. Join us as Marc talks about his experience that day as well as a little insight on the new Picard series that starts up on January 23 on CBS All Access.
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Continue reading “Episode 52: We’re In Tribble Now!”