
Listen below or click here for full show notes
Podcast: Play in new window | Download
Subscribe: RSS
Continue reading “Episode 65: You Got Your TNG In My TOS!”The podcast that runs on impulse power.
Listen below or click here for full show notes
Podcast: Play in new window | Download
Subscribe: RSS
Continue reading “Episode 65: You Got Your TNG In My TOS!”Listen below or click here for full show notes
Podcast: Play in new window | Download
Subscribe: RSS
Continue reading “Episode 64: No Zoom Required”Listen below or click here for full show notes
Podcast: Play in new window | Download
Subscribe: RSS
Continue reading “Episode 63: Mr. Blue Skies”Listen below or click here for full show notes
Podcast: Play in new window | Download
Subscribe: RSS
Continue reading “Episode 62: Wagon Train to the Caribbean”Listen below or click here for full show notes
Podcast: Play in new window | Download
Subscribe: RSS
Continue reading “Episode 61: Dude! Vasquez Rocks!”
In my review of the first two episodes of “Star Trek: Picard” I likened the story to a Dixon Hill holonovel. Now, this additional pair of episodes has added another element of mystery. Specifically, why has it taken four episodes to gather the crew that will set off on this mission?
Is it so we could have the startling reveal of Seven (Jeri Ryan) in the last minute of hour four? As interesting as that was, I don’t think it was the motivating factor.
Perhaps we need the time to get to know Cristóbal Rios (Santiago Carbera), his ship, the La Sirena, and his multitude of Emergency Hologram (EH) avatars, each prone to bursts of psychoanalysis. But no, that isn’t the reason either.
I think the primary reason we plodded along so slowly is so that we could get the full picture of where Jean-Luc Picard (Patrick Stewart) exists today. After all, this is a man we have not seen for twenty years. We bring certain assumptions with us. How he speaks. How he thinks. His honor and his integrity. But, as this story has unfolded, it seems that most of those traits have fallen by the wayside. He is as broken as he believes Starfleet and the Federation to be.
It is not just Admiral Clancy who calls out Picard for his hubris. Raffi Musiker (Michelle Hurd) does it, too. Twice. Once when Picard expresses surprise that Starfleet calls his bluff when he threatens to resign if the Romulan rescue mission is halted. He says that he never would have believed they would accept his resignation. Raffi, a look of harsh disapproval on her face, replies, “Of course you wouldn’t.” That is followed, years later, by Raffi’s comment to Picard when he comes to her tiny shack, asking her for help. Raffi, her life ruined by Picard’s actions, listens to his story about wanting to rescue someone he has never even met. Then, again, with that disdain in her voice, replies, “Wow, I don’t even know what to say. The obvious way to go would be ‘You’ve got some goddamn nerve.’ But I gather you’ve already heard that from your buddy, Clancy.” Picard never even came once to visit her. But now that he needs something, he appears as if out of thin air. She sees a flaw in Picard. A hubris that is beyond reason.
Then there is the matter of Elnor (Evan Evagora). The young Romulan evacuee who looked up to Jean-Luc Picard. Then, when the Romulan rescue mission was halted, Picard never returned to Vashti. Elnor continued to be raised by the Qowat Milat warrior nuns, who were unable to find the young man a more suitable home. When Picard does return, he is hoping to enlist Elnor, who has now grown to be an outstanding warrior, on his quest to locate Dahj’s android sister. But when Elnor asks, “Why do you need me?” Picard replies with explanations of needing someone younger and stronger along on the mission. And Picard feels his need to locate a woman he has never met is criterion enough for Elnor to bind his sword to Picard’s quest. Elnor replies, seething with anger, “Now that I have use to you? Now that I have value to you? You left me on my own, old man. I see no reason not to do the same.”
Feelings were often hard for Picard, but, over time, we had seen him open up. He has collapsed in on himself.
And what are we to make of the fact that when Picard dreams, his thoughts do not turn to the people he has wronged. No. He dreams of Data. He grieves for Data. And has done so for two decades. It is as if making the ultimate sacrifice for Picard is the only way to get his attention now. That is not a healthy frame of mind.
The story chose to linger on these things. We will, presumably, see a change in Picard’s attitude. But this level of damage is distressing.
Next episode: Stardust City Rag
Random thoughts and observations:
Listen below or click here for full show notes
Podcast: Play in new window | Download
Subscribe: RSS
Continue reading “Episode 60: Synth Our Last Episode…”I don’t know what I was expecting from “Star Trek: Picard,” but it certainly wasn’t a Dixon Hill holo-novel.
Still, that is what I got.
The first two episodes of this series feel like the opening act of some hard-boiled detective story, just substitute Admiral Jean-Luc Picard (Sir Patrick Stewart) as the retired gumshoe who has all but given up the will to live. Through circumstances we soon come to understand, Picard has lost his fire. He is now as disheartened as a Ferengi locked inside a root beer factory. He is a ghost of the figure we once knew. This Picard is easily winded by a flight of stairs. He sleeps ’til long after sunrise. He dreams of the past, obsessed by visions of the late Commander Data. At one point he even pines, “The dreams are lovely. It’s the waking up that I’m beginning to resent.” And yet, when presented with an intriguing puzzle to solve, Picard slowly begins to energize himself. The detective within him awakes. By the end of episode two, he is clearly a man on a mission.
Looking at it through that lens, these first two episodes in the freshman season of “Picard” have offered up more twists and turns than the Dixon Hill novels “The Big Good-bye,” “The Long Dark Tunnel” and “The Curse of the Black Orchid” combined. Or at least I imagine they do. After all, the Dixon Hill holographic novels do not actually exist. Yet.
First, there is the mysterious Dahj Asha (Isa Briones), a young woman who learns that she is an android. What’s this? A confused synth? Jean-Luc may need to pull in Detective Rick Deckard from “Blade Runner” to consult on this one. After being accidentally “activated,” Dajh instinctively seeks out Picard for protection. Why? This is the first mystery Picard must unravel. In fact, Dajh is the catalyst for this entire journey. She is Picard’s Maltese Falcon. When she is literally blown to pieces before his eyes, all seems lost. That is, until he learns there is another — her twin, Dr. Soji Asha. If Picard can only find her, he believes the mystery can be solved. However, like any good film noir tale, there are powerful forces at work behind the scenes. There are lies and truths, and blurred lines that barely separate the two. These are the things that will truly test Picard’s rejuvenated mettle.
Next, consider the story’s duplicitous Romulan, Narek (Harry Treadway), a covert operative for the Zhat Vash. This cabal is so ancient, it predates the dreaded Romulan secret police, the Tal Shiar. Landing at the unlikeliest of locations, a damaged Borg cube, Narek quickly uses his “bad boy” charm to seduce Dajh’s twin, Soji Asha. Why is Narek so interested in Soji? More importantly, will Narek ultimately stay true to this yet-to-be-revealed mission? Or will he develop feelings for the synthetic life form and find himself pitted against his sister, double agent Lt. Narissa Rizzo (Peyton List)? We must read the next chapter to find out more.
Then there is Dr. Agnes Jurati (Alison Pill) of the Daystrom Institute. She appears to be an expert that Jean-Luc can count on in his quest to locate Soji Asha. But wait. Dr. Jurati once worked with Bruce Maddox, the man obsessed with deconstructing Commander Data in an attempt to create similar androids. Can she really be trusted? After all, the “synths” that destroyed the Utopia Planitia Fleet Yards on Mars were created in her department at the Institute. Is she an undercover agent for Maddox? Think about it. Isn’t it the character you suspect the least the one who often ends up stabbing the hero in the back? Trust no one, Dix. Uh, I mean Jean-Luc.
Speaking of which, let’s not forget the Romulans Laris and Zhaban (Orla Brady and Jamie McShane). These household helpers at Chateau Picard have a past shadier than a cave on the Moon during a total eclipse. Yet the couple seems very eager to help Picard. Maybe a bit too eager. In Dahj’s apartment, Laris goes so far as to reveal a host of Romulan tricks while she attempts to locate Dahj’s twin. Is the long game of earning Picard’s trust part of some greater plan? After all, Laris and Zhaban are known to have once been agents of the Tal Shiar. Anything they say may be a lie. Any assistance they offer may ultimately lead Picard into a dead-end alley of pain.
And Picard, like any good dime-novel detective, is out of favor with the authorities. We learn that years ago he bucked the system, trying to force the Federation in general, and Starfleet in particular, to do the right thing. Nevertheless, the Federation virtually abandoned the Romulans in their hour of need, leaving Picard no choice but to resign. Now, in an effort to get the resources needed to solve the mysteries of Dahj, the rogue synths and the Zhat Vash, Picard returns to Starfleet Command. It is here that the retired Admiral is given a profanity-laced dressing down by Admiral Clancy (Ann Magnuson). It’s a scene that plays out like a police captain telling a rogue copy “Turn in your badge and your gun. As of now you are off this case. Go home.”
Ultimately, Picard turns to a former ally, Raffi Musiker (Michelle Hurd) for assistance. Can she be trusted? Let’s hope so. Picard can’t do this alone.
For good measure, there is even a potential time bomb planted in the story. Picard has a brain abnormality, also referenced in the “All Good Things” episode of Star Trek: The Next Generation. Dr. Benayoun (David Paymer) tells Jean-Luc that the defect in his parietal lobe could ultimately lead to disaster. Is this a red herring? Or will Picard’s condition have an important part to play in this story?
In the Dixon Hill holosuite novels, like any good pulp fiction, it seemed you could always expect shifting alliances, shadowy figures, plans within plans and the occasional dead body. The same might be said of this new story. There is much to be revealed over the remaining eight episodes of “Picard.” But at the end of the journey will Picard’s Maltese Falcon be made of gold and jewels, or will it be a simple lead decoy that propels the quest onward into season two?
Next episode: “The End is the Beginning”
Random thoughts and observations:
In this Special Episode we talk to Marc B. Lee who attended the Star Trek: Picard premiere as well as the Chinese Theater ceremony where he left imprints of his hands and feet. Join us as Marc talks about his experience that day as well as a little insight on the new Picard series that starts up on January 23 on CBS All Access.
Podcast: Play in new window | Download
Subscribe: RSS