“Frankly, I’m still stuck on the ‘not dead’ part.” — Star Trek: Discovery Review — What’s Past Is Prologue

Star Trek: Discovery, Season 1, Episode 13
What’s Past Is Prologue
Posted by Clinton

“Perhaps we could cover a little philosophical ground. Life, death — life. Things of that nature.”
Dr. Leonard McCoy speaking to Captain Spock, “Star Trek IV: The Voyage Home”

Lorca falling into the orb
source: burnhamandtilly.tumblr.com

Death is no stranger to “Star Trek.” Neither is rebirth. In this episode of “Discovery,” written by co-executive producer Ted Sullivan, we get more than our share of both.

Certainly mirror Lorca’s (Jason Isaacs) demise is the most spectacular death in this episode. However, long before the battle in the Emperor’s throne room, the mutineer had already sealed his fate. At no point did he show any sign of redemption. There was no moment of remorse. Gabriel Lorca had been given a chance to start his life anew when he crossed over into the prime universe. He squandered that opportunity by using the time to plan his revenge. As he disintegrated, ripped apart by his fall into the mycelium orb, he was already long dead.

Mirror Stamets
source: burnhamandtilly.tumblr.com

Elsewhere in the story, life and death play out in no less significant ways. For instance, when Lorca rescues his band of loyal followers from their imprisonment, the act signals the rebirth of the mutiny against the Emperor. Yet something tells us that most of the Terran soldiers will not survive to fight another day. Lorca had proven time and again that he had little regard for others, including those most loyal to him. They may not have been wearing red shirts, but the troops who followed Captain Lorca and his blind ambition were destined to join the ranks of those nameless minions killed in battle.

Mirror universe Commander Landy (Rekha Sharma) is a bit more of a mystery. Earlier, her prime universe counterpart had been killed on board the Discovery, mutilated by the tardigrade, Ripper. It was a senseless death, the result of Landry’s desire to follow her Captain’s orders without question. Would the scales of justice attempt to even themselves by allowing this version of the Commander to live? When Lorca helps her out of her agonizer booth,  one might say she is reborn. Perhaps so, but her resurrection is short lived. She dies in the fiery explosion that destroys the I.S.S. Charon. It seems her devotion to Lorca sealed her fate in both universes.

The elimination of the Emperor’s palace ship undoubtedly also sent political shockwaves throughout the Terran Empire. The news that the throne is empty will most likely result in a bloody battle for power by countless factions. The Emperor is dead. Long live the Emperor.

Terran Paul Stamets (Anthony Rapp) is another character whose future is at first unclear. Points in his favor are that he previously betrayed Lorca and he worked to help prime Stamets escape entrapment in the mycelial network. Escaping the network himself at the end of the previous episode, it’s conceivable that his rebirth has made him a survivor. Unfortunately, we soon discover that he is developing a bioweapon for the Emperor, and that it is his reckless abuse of the mycelial network that is threatening the multiverse. He is also far too quick to cave to Lorca’s demands, placidly aiding the Captain in his fight against Georgiou. It is simply an attempt to prolong his own life. Eventually, Landry’s request, “Can we kill him now?,” is granted and she vaporized the hapless Terran.

Burnham

Mirror Georgiou
source: first-officer-michael-burnham.tumblr.com

But there is also rebirth that offered a glimmer of hope. To us, the death of Captain Philippa Georgiou (Michelle Yeoh) at the battle at the binary stars feels like a lifetime ago, but not to Michael Burnham (Sonequa Martin-Green). Burnham’s mind tells her that Emperor Philippa Georgiou Augustus Iaponius Centarius is not her Captain. However, Michael’s heart sees Philippa reborn in the Terran Emperor. Likewise, Philippa can not help but see some of her beloved Michael in the prime universe Burnham. This is made crystal clear when the two women sit across from one another and speak of their lost companions, all the while holding treasured mementos of the their departed friends.

In the end, Georgiou is willing to buy Michael time to escape, paying with her own life. It is an act of love. Burnham, however, also leads with her heart and rescues the fallen Emperor. For now, mirror Georgiou is in limbo, no longer the ruler of a savage empire, yet also not comfortable with the tenents of the Federation and Starfleet. Will she take better advantage of her second chance? Or will she scheme to return to her side of the mirror?

It is not only Philippa who experiences a successful rebirth in “What’s Past Is Prologue.” As mentioned, we learn that the mycelial network is dying. The Terran Empire has been exploiting it for their own selfish needs, not only depleting the mirror universe’s network, but also threatening all life in multiple universes. Working together, the crew of the Discovery and Emperor Georgiou are able to destroy the Charon’s mycelium orb. This allows the network to live anew; replenish itself at amazing speed. At the same time the network sweeps the Discovery towards home.

Mycelial network
source: greenjimkirk.tumblr.com

In fact, the Discovery itself is also reborn. Once the crew is made aware of Lorca’s true nature, they shake free of his influence and begin to function as an effective team. We see an open, honest discussion of the mission to destroy the mycelium orb. When the crew comes to realize that the plan could mean the destruction of the Discovery, Commander Saru (Doug Jones) forcefully states his belief in the competence of the team, “The Discovery is no longer Lorca’s,” he explains, “She is ours. And today will be her maiden voyage. We have a duty to perform, and we will not accept a no-win scenario.”

Of course, the no-win scenario is a riddle that Spock once solved by sacrificing himself to save the many. Only to find himself reborn.

Next episode: The War Without, The War Within

 

Random Thoughts and Observations:

  • It was a cheat to have the floor in the throne room open early in the episode. Yes, it established that the “trap door” gave direct access to the mycelium orb, but it was also obvious that we were seeing it to foreshadow its use later in the episode.
  • Why is Lorca able to fall through the containment field of the Charon’s mycelium hub? That would seem to imply that anything can penetrate the containment field, including photon torpedoes.
  • A leap of nine months places “Star Trek: Discovery” that much closer to the time of Kirk and Spock. I estimate we are now within 8 and a half years of the 10-year gap separating “Discovery” and TOS.
  • It was nice to see the use of screens rather than holograms not once, but twice, in this episode.
  • Where is prime Lorca? In the mirror universe? Did he die on the Buran?

“You don’t know me.” — Star Trek: Discovery Review — Vaulting Ambition

Star Trek: Discovery, Season 1, Episode 12
Vaulting Ambition
Posted by Clinton
Mirror Georgiou with sword.
source: greenjimkirk.tumblr.com/

“Vaulting Ambition” exemplifies the duality of this first season of “Star Trek: Discovery.” Not just in terms of its characters who continue to shed their hidden identities, but also the way in which it handles story elements. When things are handled with care, the show is magic. When pieces are slapped together, the end product suffers.

Let’s start with what is good.

The acting is this episode is excellent. It is clear that the cast is now very comfortable with their characters. Over these many episodes the idiosyncrasies of each role have been refined. Cadet Tilly (Mary Wiseman) has become a just a wee bit less chatty. Commander Saru (Doug Jones) is a bit more in control. And Captain Lorca (Jason Isaacs) is…well, Lorca has pretty much always been on point. More on that in a second. The supporting players in “Vaulting Ambition” were also tone-perfect. Dwain Murphy’s turn as the torturous Captain Maddox left us with mixed emotions when he was ultimately slain by Lorca.

A long-game character plot line also came together beautifully this week. Last week, we dealt with the revelation that Tyler and Voq (Shazad Latif) are two personalities that share the same modified body. This week, we learn that Captain Lorca is, as some fans suspected, actually from the mirror universe. This is the type of twist that sends you reeling. Part of what made the reveal so satisfying is that Jason Isaacs knew where this character was headed from the very beginning. His discussions with the producers meant he knew things about Lorca that perhaps even individual episode directors did not know. This allowed the acting to reinforce the character’s backstory. Isaacs’ performance differs from Shazad Latif’s portrayal of Tyler/Voq because Lorca was always well aware of who he was and what he wanted. It is the kind of twist that makes you want to go back to the beginning of the season and closely watch the character in every scene.

We are treated to a lovely moment where Paul Stamets (Anthony Rapp) gets to say goodbye to Hugh Culber (Wilson Cruz). It helps soften the blow of the doctor’s untimely death and leaves us wondering if this truly is the end. It brings to mind Spock’s words, “There are always possibilities.”

Stamets and Culber
source: twyllodrus.tumblr.com/

“Discovery” also continues to shock and surprise in other ways. We recoiled when we learn that the Kelpien that Michael Burnham (Sonequa Martin-Green) had selected in the Emperor’s throne room was the main course at her dinner with Georgiou (Michelle Yeoh). Bonus points to Martin-Green for her reaction to being offered the Kelpien’s ganglia. In addition, Georgiou’s use of a flying disc as a killing weapon was inspired.

Then there are the elements that seem to fall off the rails.

Shall we begin with the I.S.S. Charon? The Emperor’s palace is a ship ridiculous in both size and design. It dwarfs virtually everything we have previously seen in “Star Trek,” save the occasional starbase. Its dimensions only serve to reinforce the belief that the people in charge of “Star Trek: Discovery” think that bigger equals better, and that insanely bigger is best.

I.S.S.Charon
source: twyllodrus.tumblr.com/

Meanwhile, after last week’s brilliant revelation about Tyler’s true identity, L’Rell’s (Mary Chieffo) reaction to Tyler/Voq’s torment feels unnecessarily rushed. It plays out like something we simply need to get through in order to hit the next plot point. All the elements are there — love, regret, sorrow — but we ultimately get too little of any of them to justify her actions. Likewise the medical procedure that L’Rell uses to supposedly “kill” Voq is another low point. It feels too simple. The process to merge Tyler and Voq was long and painful. This operation took mere seconds.

Then there is the laziest piece of writing in the episode: the reveal that mirror universe humans have eyes that are sensitive to light. This characteristic immediately informs Burnham that Lorca is not who he claims to be. The only problem is, we have been in this mirror universe several times and light sensitivity has never before been an issue. It is simply not true. There were other ways in which the same failing of Lorca’s eyes could have been used to reveal the Captain’s deception, but writer Jordon Nardino chose the easy way out. Nardino simply made something up, even if it contradicted what we already know to be true.

The duality of “Star Trek: Discovery” is diminishing over time, as both the characters and production crew find their way to their true selves. But episodes like this demonstate that there is still some room to improve.

Next episode: What’s Past is Prologue

“Can you continue to pretend to be one of them?” — Star Trek Discovery Review — The Wolf Inside

Star Trek: Discovery, Season 1, Episode 10
The Wolf Inside
Posted by Clinton
Burnham speaks to Tyler
source: startrekdiscoverysource.tumblr.com

Given sufficient time and clues, the hive mind of the internet will solve virtually any mystery. In this case, it involved two “Star Trek: Discovery” characters.

The idea that Lt. Ash Taylor (Shazad Latif) and Klingon Torchbearer Voq were one and the same entity became a widely held theory on the Web long before the episodes “Despite Yourself” or “The Wolf Inside” premiered. Some argued that Voq had been modified to look like a human. Others asserted that Tyler had been brainwashed. In either case, the online world knew something was up. They felt they had outsmarted the people behind “Star Trek: Discovery.”

But did the production team actually want to keep this plot line a secret? Or did they surreptitiously encourage us to figure it out ahead of time? After all, one of the first clues to this mystery was not even contained in an episode of “Discovery.” It was found just sitting there on imdb.com. The actor credited with playing the role of Voq was one Javid Iqbal. Except it appeared that Javid Iqbal’s only acting credit was playing Voq. Was he new to the profession? It was hard to tell, since Iqbal was conspicuously absent from the “Star Trek: Discovery” press junkets.

The internet was suspicious.

In episode four (“The Butcher Cares Not For The Lamb’s Cry”), L’Rell (Mary Chieffo) tells Voq that in order to win the war he must sacrifice “everything.” At which point, the Torchbearer is spirited away to house Mo’kai, a Klingon house composed of watchers, deceivers and weavers of lies. Then, in episode five (“Choose Your Pain”), Lt. Tyler appears on board a Klingon prison ship. Tyler tells Captain Lorca (Jason Isaacs) that he has survived seven months of captivity by allowing himself to be the subject of L’Rell’s torture and desires. Through it all, he remained strong and never gave up hope of rescue. He even helps Lorca escape the prison ship. He is Starfleet, through and through. Just what you would expect if the spy theory was to be believed.

Lorca speaks with Burnham.
source: v-e-l-v-e-t-g-o-l-d-m-i-n-e.tumblr.com

The internet was obsessed.

It was hard to deny the evidence. How had Tyler survived so long on the Klingon ship? After all, we know that L’Rell had not been on board the vessel during his entire captivity, so that alone could not account for the lieutenant’s ability to escape death. What was the full story behind Tyler’s hazy, violent flashbacks? Had the medical staff on board Discovery run any scans on the Lieutenant? Why was Lorca cutting Tyler so much slack? Was the Captain so enamored with Tyler that he had developed a blind spot to possible sabotage? And the Tribble on the desk in Lorca’s ready room. Surely that would play a part in unmasking the Klingon spy.

Eventually, as the Tyler/Voq theory began to take hold, Javid Iqbal appeared to open his own Twitter account, filled with pictures doctored to place Voq’s head on other actors bodies. Someone was having fun with all this. Maybe we were being played. Perhaps it was all some guerrilla marketing scheme.

But, as this game of cat-and-mouse played out, there was a danger. You see, not only was Lt. Ash Tyler proving to be a lifeline for Michael Burnham (Sonequa Martin Green), tying her to his humanity, he was also being portrayed as a survivor of torture and sexual assault. He was suffering from Post-Traumatic Stress Disorder (PTSD), trying to fight his way back from darkness. If the lieutenant was actually only experiencing the effects of some type of Klingon brainwashing, as the theory suggested, that could marginalize his medical condition. Those in the audience suffering from the horrors of PTSD would feel betrayed.

The Internet was watching.

When all the pieces finally came togethe, both last week and this week, we were lucky enough to have four scenes which slowly unraveled Voq from Tyler. In the first, L’Rell attempts to awaken Voq using trigger phrases. But all does not go according to plan, and Tyler exits the brig, confused and concerned. In the next incident, Dr. Culber (Wilson Cruz) hypothesized that Tyler’s personality was an overlay on some other consciousness. That could mean that all of Tyler’s memories of abuse were real. They simply had not all happened to this particular body. Without warning, as we were beginning  to process that information, Tyler breaks Culber’s neck. The breakdown of the wall within Tyler had begun. Next, Tyler had an episode of cognitive dissonance while hearing “Mirror Voq” explain how Klingons, Vulcans, Andorians and Tellarites were all working as one unit. This concept was so diametrically opposed to the belief system preached by T’Kuvma, Tyler snaps again and attacks the parallel universe Voq. The character is literally at war with himself. Later, as Tyler tries to explain his actions to Michael Burnham, the Klingon Torchbearer claws his way up from the depths of his slumber, fully reasserts himself and tries to kill Burnham.

Tyler in the transporter room
source: burnhamandtilly.tumblr.com

The four scenes helped the anticipated reveal not feel like we were watching Scooby Doo and the gang simply rip the mask off the villain of the week. We saw the duality of this situation. It was some sort of complicated ecosystem contained in one body. It left us wondering who this hybrid creature really is. Do we consider it half human, half Klingon? Is Lt. Ash Tyler still alive within that body? Is the “real” Tyler alive somewhere in the prime universe? Is this body and mind loyal to L’Rell or Burnham? Or both. And which memories are real, and to which personality do they belong?

The internet is waiting to learn more.

Next week: Vaulting Ambition

 

Random Thoughts and Observations:

  • That look on Lorca’s face as Burnham bows. It clearly means something. Is the internet right again about the Captain?
  • The good guys always seem able to locate a secure channel, no matter how well monitored the environment might be.
  • The doors on the I.S.S. Shenzou sound like they are opening and closing a bit more violently than ships in the prime universe.
  • Tyler survived for a few seconds in the vacuum of space, but the crew members beamed out earlier in the episode appeared to die instantly.
  • Cadet Tilly continues to impress. Will Saru actually give her a recommendation?
  • The new take on Tellarites shown in this episode is a bit jarring. The aliens now have tusks. Given the tradition of portraying the species as having pig-like features, this is an understandable addition, but it is still a bit radical.
  • It was nice to see Detmer get something to do other than simply sit at a station on the bridge. Let’s hope prime universe Detmer also gets more to do.
  • Javid Iqbal’s separate imdb.com credit no longer exists on the Star Trek: Discovery page. Independent credits for other industry professionals with the name Javid Iqbal do still exist on imdb.

“I’m going to have nightmares about myself.” — Star Trek Discovery Review — Despite Yourself

Star Trek: Discovery, Season 1, Episode 10
Despite Yourself
Posted by Clinton
Tilly as Captain Killy
source: burnhamandtilly.tumblr.com

A friend of mine recently Tweeted “Going to a mirror dimension in the first season is a terrible idea because we barely know these characters.”

If the crossover had happened earlier in the season, I might have agreed. But I think we now have some basic ideas about each of our lead characters. To me, it is the familiarity with this crew that is actually the issue when it comes to the so-called “Mirror Universe.” With one exception.

Up until now, we’ve seen how stoic, seasoned characters handle being thrust into this unfamiliar universe. Whether it was Kirk and company or the crew of Deep Space Nine, our heroes have been quick to ponder, analyze and adapt. That is to be expected. It is why they hold positions of authority. We’ve also seen how “the other half” lives, particularly aboard Archer’s I.S.S. Enterprise. (RIP Archer, All hail Empress Sato!) But what about the crew of the Discovery? The ship is captained by a man with questionable morals, it is seconded by a Kelpian who lives with constant fear, watched over by a chief of security who may be some sort of spy, and has a specialist convicted of mutiny. It all sounds pretty dark even before they go to the mirror universe.

Lorca speaking to the crew.
source: greenjimkirk.tumblr.com

Enter our surrogate “every person,” Sylvia Tilly (Mary Wiseman). Tilly is, we must remind ourselves, still a cadet. She has been serving as a theoretical engineer on board the Discovery, working with Lt. Paul Stamets (Anthony Rapp). It has certainly been quite a unique internship. For starters, she was given a mutineer as a roommate. Then she had to watch as Starfleet officers knowingly harmed a lifeform (the tardigrade) to serve their own purposes. She has been forced to accept the fact that she has died — multiple times (“Magic to Make the Sanest Man Go Mad”). And she struggled to keep the knowledge of her superior officer’s illness a secret, only to have that illness eventually lead to catastrophic consequences for Stamets and the entire crew.

But, through it all, Tilly has remained wide eyed and optimistic. She confesses that she loves feeling feelings. When she, Stamets and Burnham (Sonequa Martin Green) discuss finding an alternative to using the tardigrade in the spore drive, she enthusiastically exclaims “You guys! This is so fucking cool!” She also played matchmaker between Burnham and Lt. Ash Tyler (Shazad Latif).

Tilly and Stamets.

Cadet Sylvia Tilly’s eyes are also focused on the future. In “Context is for Kings,” she tells Burnham, “I’m going to be a captain someday. The thing is that there are still some things I need to learn.” At which point. she takes on Burnham as a mentor. And when Burnham has reservations about the advice she has been giving Tilly, she tells the cadet to seek her own way to the Captain’s chair. Tilly smiles and replies “I have.”

So, when the Discovery finds itself in the Mirror Universe, and it is revealed that its Sylvia Tilly is the bloodthirsty Captain of the I.S.S. Discovery, her world is turned upside down — as is ours. Lorca’s advice is to “Defy your every instinct.” Which is all too true.

Our avatar, our surrogate, has met her darkest side. And she takes it about as well as we would. She does not enjoy any aspect of her “Captain Killy” counterpart.

As Tilly prepares to communicate with Captain Connor of the I.S.S. Shenzou, Burnham comments, “You are a captain now.” But Tilly realizes this situation is a mockery of her goals. Tilly rejects the statement. “No, I’m not. She is. I’m nothing like her, Michael. She’s terrifying. She’s like a twisted version of everything I’ve ever aspired to be. I’m going to have nightmares about myself now.”

Tilly has to put on the same show as the rest of the prime universe crew, masquerading as cutthroat servants of the Empire. Reluctantly, nervously, she sits in the Captain’s chair, but there is no satisfaction in her ascent to this position. She wants nothing to do with this universe. Which is as it should be. We need Tilly to stay true to herself.

Others on board the Discovery may be on the road to redemption (or ruin), but Tilly needs to stay on the path to greatness. Let’s hope the darkest timeline does not claim her.

Burnham talking to Tilly
source: twyllodrus.tumblr.com

Ultimately Michael Burnham does offer one insight that helps Tilly, and can help us hang on, too: “I’ve been trying to understand them better. And Terran strength is born out of pure necessity, because they live in constant fear. Always looking for the next knife aimed at their back. Their strength is painted rust. It’s a facade. But you have the strength of an entire crew that believes in you. Fortify yourself with our faith in you. That’s what a real captain does.”

Next episode:  The Wolf Inside

 

Random Thoughts and Observations:

  • Yes! I called it on the cloak-defeating data. The Discovery did not transmit the information before it was pulled into the mirror universe.
  • Saru is supposed to trust his threat ganglia, but seems to pay it little mind when it reacts to Ash Tyler’s appearance on the bridge.
  • How loyal is Lorca to Ash Tyler? Tyler is late to the bridge for yellow alert, freaked out in the work bee, and takes his time getting to the transporter room, but Lorca lets all that slide.
  • My prediction is that Philippa Geourgiou is the mysterious Emperor
  • Stamets is clearly giving clues as to events unfolding around the crew. But are the clues always as literal as we think they are?
  • Why is there never anyone else in the brig? Or sickbay?
  • Why wasn’t Culber wearing a Terran version of a medical delta shield?
  • Spoiler: There is a theory floating out there that Lorca is actually from the mirror universe. Nothing that happens in this episode would negate that theory. In fact, putting emphasis on the fact that Lorca plucked Burnham (his would-be killer in the mirror universe) out of prison and bringing her on board the Discovery, then ultimately into this dark universe could clearly be part of a plan.

“One last jump then.” — Star Trek Discovery Review — Into The Forest I Go

Star Trek: Discovery, Episode 9
Into The Forest I Go
Posted by Clinton

The Discovery spore drive in action.

I loved where this show arrived by the end of “Into The Forest I Go.” Yet, I hated some of how we got there.

First, the love.

This episode, which concluded what the producers are calling “Chapter One,” was paced to a T. During the critical 133 jumps, editing perfectly drew out Stamets’ (Anthony Rapp) ordeal. A sequence that involves this many repetitive steps would typically move from jump one to somewhere around 60, then to jump 131. Not in this case. We cut from from exterior views of the spore drive in action to closeups of a disoriented Stamets, to a readout of the jump numbers, then the loading of more spore canisters. The action is chaos in motion. Dr. Culber (Wilson Cruz), monitoring Stamets’ deteriorating condition, asks, “Tilly, how many jumps do we have left?” Cadet Tilly (Mary Wiseman) replies, “96 more.” We are heartbroken. Tyler’s (Shazad Latif) PTSD flashbacks are also expertly done. They seem to reveal everything, but don’t necessarily tell us all we need to know. The entire episode slipped seamlessly between frenetic action and slow, quiet character moments. Special shoutouts to episode writers Bo Yeon Kim and Erika Lippoldt, as well as episode director Chris Byrne and editor Jon Dudkowski.

Coupled with last week’s “Si Vis Pacem, Para Bellum,” this part of the story was sweeping in its scope. We joined a planet-side exploration, made first contact, battled the Klingons, uncovered revelations about major characters and ended up someplace completely unexpected.

We are left to wonder if Discovery had a chance to transmit the cloak-defeating data before her fateful jump. Captain Lorca (Jason Isaac) makes a point of telling Admiral Terral (Conrad Coates) that it will take eleven hours to refine the equations for fleet-wide use. It is unclear how long after that the ship disappears. Has Starfleet’s secret weapon vanished with the one piece of information that would turn the tide of the war? That would be rather devastating, wouldn’t you say?

The main characters on “Star Trek: Discovery” are slowly reaching that point where we think we know what makes them tick. We feel accustomed to the way Gabriel Lorca, Saru (Doug Jones), Sylvia Tilly, Michael Burnham (Sonequa Martin-Green) and Ash Tyler behave. Dr. Hugh Culber hasn’t had enough screen time to foster this sense of familiarity, but one gets the feeling that will change sooner rather than later. Imagine if we had had a chance to spend this much time with Captain Georgiou or T’Kuvma. How much more of an impact would their deaths have had on us?

Stamets in chamber saying "I love you."
source: lesbianphilippa.tumblr.com

“Discovery” has clearly started to hit its stride. That’s a good sign. Chapter Two now has the task of raising the bar even higher.

Now, about that hate I mentioned…

While the main characters have been fleshed out over the course of these first nine episodes, we know virtually nothing about most of the bridge crew. Yes, it’s true that we didn’t get to know every crew member who took a station on the bridge in classic Trek or “The Next Generation,” but those were mostly interchangeable extras. The bridge crew on board Discovery has been a constant. We also know nothing about the Discovery’s Chief Medical Officer. Remember, Dr. Culber is not the CMO.

We also did not get a chance to really know the Klingons to any great extent. Much like his makeup, Kol (Kenneth Mitchell) was painted with a pretty broad brush. In the end, he came across as simply a villain interested in power. He was not even the Klingon who killed Captain Georgiou. In fact, Kol points out that he never met the Captain. This made his defeat less satisfying than it could be.

There were also plot points in Chapter One that seemed to go nowhere. What happened to those mysterious security personnel who wore black delta shield insignias. We saw them momentarily in episode three, but never again. What happened to Harry Mudd when he left Discovery with knowledge of how the ship works? Is he going to try to sell that information? Every moment of screen time should mean something. If it is not paid off, we feel cheated.

L’Rell’s (Mary Chieffo) long game is another sticking point with me. At the mid-season break, we still are very much in the dark as to what she is planning. While it is fine to have some mystery left, her motives are so vague, it is hard to either love or hate her. Or love to hate her. She simply exists.

L'Rell in brig saying "Soon."
source:: klchaps.tumblr.com

The producers have promised that as we get closer to Kirk’s five year mission, there will be a bit more dovetailing with the aesthetics of classic Trek. It is unclear where we are in that timeline. If the battle of the binary stars took place ten years before “The Original Series,” and Burnham arrived on Discovery six months later, once you add in the amount of time it took to get to the incidents at the battle at Pahvo, we are roughly 9 years out from TOS now.

Overall, I think the pluses far outweigh the minuses with regards to Chapter One. We know that virtually every Trek series has had an awkward start; each struggling to find its unique voice. “Discovery” is no different. The characters are evolving as the writers and actors get more familiar with how this particular part of the Trek universe works. I think the rushed nature of Chapter One is something that will smooth out in future episodes. Of course, that vision may not be fully realized until season two, but that only give us one more thing to look forward to 2019.

Next episode: Despite Yourself

 

Random Thoughts and Observations:

  • I loved the huge sensor devices Tyler and Burnham had to place on board the Ship of the Dead. The fact that they lit up and talked felt so classic Trek.
  • Very happy that Admiral Cornwell survived. In a previous article, I wrote about women of power on “Discovery”. Nice to see this one could possibly return.
  • Why is it always so easy to sneak around on Klingon ships? Why are there so many corridors and rooms for so few crew members?
  • Speaking of Klingon ships, why do their commanders always just watch, dumbfounded, while torpedoes hit their vessels at the end of a battle?
  • Lorca clearly has no desire to return to Starbase 46. Did his desire to avoid that option cause him to feed new coordinates into the spore drive controls?

“Your fascination with humans can no longer be tolerated.” — Star Trek Discovery Review — Lethe

Star Trek: Discovery, Episode 6
Lethe
Posted by Clinton

Animated GIF of V'Latak raising hand with caption "Logic above all."

In Greek mythology, it is said the river Lethe flowed through the underworld. The souls of the dead would drink from its waters and forget their past. In the episode “Lethe,” it appears Sarek (James Frain) has also attempted to forget his past. Years ago he lied to Michael Burnham (Sonequa Martin-Green). It is a lie that still haunts him. He wishes to drown this memory in the river of logic — but he can not.

Based on a discussion I had with a friend about the actions of Vulcans in this episode, I think it is important that we, the viewers, also not forget the past when it comes to Vulcans and “Star Trek” canon.

If one were to use a single word to represent Vulcans, it would be “logical.” It is only when we expand that vocabulary, that other, potentially disturbing characteristics begin to show through: cold, calculating, repressed, condescending, primal.

With that in mind, the fact that Sarek finds himself unwittingly in the company of a “logic extremist” who attempts to kill him, should not come as a total surprise. Vulcans can most certainly be fanatical. We need look no farther than Sybok, Sarek’s son by his Vulcan priestess first wife. Sybok is also the only fully-Vulcan child nurtured by Sarek.

In “Star Trek V: The Final Frontier,” we meet Sybok, a Vulcan who is filled with an all-consuming desire to reach Sha Ka Ree — the planet which Vulcan mythology claims is the source of all life, the Vulcan equivalent of Eden. It is a planet the location of which he claims came to him in a vision from God. To achieve his goal of reaching Sha Ka Ree and meeting God, Sybok takes hostages, steals a starship (the U.S.S. Enterprise) and threatens the safety of the crew of the ship by passing through the Great Barrier at the center of the galaxy. We eventually learn that Sybok was being manipulated by an evil entity. Nevertheless, the fact remains — Vulcans can be driven to do questionable things by their passions.

Animated GIF of Kirk and Sybok

Speaking of passion, let us not forget pon farr. This is the primal mating drive all Vulcans experience. During the height of their blood fever, plak tow, a Vulcan can blindly kill. While this most often involves another Vulcan, we see in the original series episode “Amok Time” that the target can be anyone — even a human.

Both of these instances are the result of internal or biological conflict. What about ideology? Admiral Terral (Conrad Coates) tells Captain Lorca (Jason Isaacs), “Ambassador Sarek’s ship was sabotaged by logic extremists.” On board the shuttle, Adjunct V’Latak (Luke Humphrey) tells Sarek “Your fascination with humans can no longer be tolerated. Your obsession has blinded you to the truth — humans are inferior. My sacrifice will be a rallying cry to those who value logic above all. Vulcans will soon recognize and withdraw from the failed experiment known as the Federation.”

Woah! Where did that come from? Can Vulcan emotions run that deep? Are they willing to kill for such a xenophobic cause?

This sentiment is actually a direct outgrowth of the overwhelming Vulcan position we see demonstrated in “Star Trek: Enterprise.” After Vulcans made first contact with humanity and offered assistance, it appears they began to question their decision. They withheld their technology, holding back humanity. They did not even bother to mention the Klingons until one was killed in Broken Bow, Oklahoma in 2151, forcing their hand.

Soval speaking to Forrest

This Vulcan attitude towards humans was an undercurrent throughout “Star Trek: Enterprise.” It culminated in the bombing of the United Earth Embassy, just as the Vulcan High Command was preparing to render a decision on operating joint missions with Starfleet. The bombing killed 43 souls, including Vice Admiral Maxwell Forrest.

Just prior to the explosion, Ambassador Soval and Forrest walked the corridors of the embassy, discussing the upcoming High Command decision. When Soval explained some of the Command’s concerns, Vice Admiral Forrest replied, “Are Vulcans afraid of humans? Why?”

“Because there is one species you remind us of.”

“Vulcans.”

Soval states that, as we know, Vulcans had a savage past. They nearly destroyed their own civilization. Logic saved them, but it took almost 1500 years for them to rebuild their world and then travel to the stars. Humanity accomplished the same feat in less than 100 years. “There are those on the High Command who wonder what humans would achieve in the century to come. And they don’t like the answer.”

In addition, not only were Vulcans responsible for the embassy bombing, they fabricated stories to first blame the Andorians and then a fellow group of Vulcans, whom they later attempted to destroy.

But that’s “Enterprise,” you say. After 100 years the Vulcans settled down; humans and Vulcans were inseparable. Well, yes and no. Consider “Star Trek: The Undiscovered Country,” which is set some 140 years after “Enterprise.” In that film, it is revealed that a group of humans, Romulans, Klingons and at least one Vulcan were involved in the assassination of Klingon Chancellor Gorkon. The group then framed the crew of the Enterprise for his death and attempted to assassinate the Federation President. In addition, the Vulcan, Lt. Valeris, is discovered to have hired, then killed the two human Federation operatives who assassinated Ambassador Gorkon. And all this was done because there was mistrust of impending peace between the Federation and the Klingon Empire. “Klingons can not be trusted.”

It might also be of interest to point out that Valeris was a protege of Captain Spock. The same Spock who was once court martialed for unlawfully taking control of the Enterprise. This would mean that Spock, Burnham, Sybok and Spock’s trainee were all responsible for acts of mutiny, treason or high crimes against the Federation. Clearly this is all Sarek’s fault.

As we continue to explore the world of “10 years before the time of Kirk and Spock,” keep in mind that “Star Trek’s” history is not flat colors, but subtle shades. It is not a shallow river, but a deep ocean.

Next episode: “Magic to Make the Sanest Man Go Mad”

Random Thoughts and Observations:

  • Those remaining powerful women I spoke of in my review of episode 4? One of them, Admiral Katrina Cornwell, is purposefully sent into a trap by Captain Gabriel Lorca.
  • How is Dr. Culber dealing with “groovy” Stamets?
  • Speaking of Culber, he is the doctor we always see on Discovery, even though he is not the Chief Medical Officer (CMO). Why is that?
  • I appreciate how the look of Vulcan has remained fairly consistent through all the series and movies.
  • The “holodeck” is described by the computer as a “holographic battle simulation.” In the “Practical Joker” episode of animated “Star Trek” series, the Enterprise had a holographic projection room.
  • Lorca says that Ash Tyler “checks out.” Did Tyler get a physical examination, or was the extent of his exam Lorca’s questioning during the battle simulation?
  • Nice effects for the transition from Discovery, through the mind meld, to Vulcan.
  • The scene in sickbay, when Burnham first comes out of the mind meld, felt very “Trek.”

“I’ve learned how to choose wisely.” — Star Trek Discovery Review — Choose Your Pain

Star Trek: Discovery, Episode 5
Choose Your Pain
Posted by Clinton
Animated GIF of Lorca saying "Not on my watch."
source: discovernow.tumblr.com

With episode 5 of “Star Trek: Discovery,” (“Choose Your Pain”), we’ve reached the one-third mark in our season 1 story arc. Do we know where we are? Do we know where we are headed? Since “Discovery’s” story line is shrouded in secrecy, there is no way of telling. Or is there? If we accept the supposition that this season is about Michael Burnham’s (Sonequa Martin-Green) journey toward redemption, there may be some clues.

Writers often turn to Joseph Campbell’s classic 12-stage “Hero’s Journey” story structure when crafting sweeping sagas such as this. So, how well does Burnham’s story track to the classic structure?

Stay with me, now. Think of this as, well, a journey.

Episodes 1 and 2 (“The Vulcan Hello” and “Battle at the Binary Stars”) would be our first step along the hero’s 12-stage path. At this stage, we first see Michael Burnham as having the ideal life. She lives in what Campbell would call stage 1, the “Ordinary World.” She is being mentored by one of Starfleet’s most decorated Captains and is about to be offered a command of her own. Life is good.

Suddenly, the Klingons arrive and her paradise is lost. She has entered stage 2, the “Call to Adventure” stage. This situation requires Burnham choose between two paths: she can either obey her Captain, or do what she feels is logical. She does not choose wisely. Her Captain dies, she starts a devastating war and she is sentenced to life in prison. The universe has called out to her in a most violent way.

In episode 3 (“Context is for Kings”), the so-called “second pilot,” we are deep into Burnham’s despair. She has withdrawn into herself, ready to accept her fate. She is so far removed that, offered a chance to serve aboard Discovery, she would rather go back to prison. Not that Captain Lorca (Jason Isaacs) cares about her opinion, of course. This would be stage 3, her “Refusal of the Call.” In fact, even though she is forced to accept the position working for Lt. Stamets (Anthony Rapp), she constantly reminding everyone she is “just there to help.” She has no real commitment to the cause. No purpose. Her assignment doesn’t connect her to her ship. In “Choose Your Pain” she confesses to Tilly that “I barely have a job here. I’ve never been less busy.” She is rank: None.

Animated GIF of Tilly saying "I love feeling feelings"
source: michaelburnhamfanclub.tumblr.com

It is at this point Burnham should enter stage 4 and “Meet the Mentor.” Now, while this mentor could mean Lorca, Stamets or even Tilly (Mary Wiseman), I believe it is someone else. I believe it is Ripper, the tardigrade.

The mentor often offers advice, insight into the dilemma, or even presents an object of importance. Ripper does not speak and offers no material objects. It is simply a creature that has the unique ability to travel the mycelial network. But the mentor can also offer self confidence. This offering is not apparent at first. The creature is hostile, even deadly. Yet Burnham sees past that reactionary behavior. She empathizes with the creature and re-engages with the real world to fight for its life. Ripper is the one who provides Burnham with what she needs to overcome her doubt and accept the quest.

Burnham looks up and smiles.
source: aryainwinterfell.tumblr.com

Which brings us up to the end of episode 5. Burnham sets Ripper free. At this point she is also free; ready to take the next step and “Cross the Threshold.” That yet-to-be-taken step would be stage 5 of the 12-stage hero’s journey. And, if my math is correct, that means we are one third of the way through the stages.

Of course, a story can have more than one character on a journey:

Saru also saw his world ripped apart. His flight response and jealousy of Burnham made him a first officer who ran solely on protocol, with no ability to grow. But his performance in the rescue of his Captain has given him confidence. The confidence to not unfairly measure himself against Starfleet’s most-decorated Captains. He appears staged to “Cross the Threshold” as well.

In addition, “Choose Your Pain” offered us insight into Captain Lorca’s past. His refusal to have his eyes repaired is his constant reminder of the crew he lost and his vow to not let it happen again. In a way, he may be the farthest behind in his journey. He has not accepted the challenge of change. He is stuck at the gate.

The questions we are left with at the end of “Choose Your Pain” are many. What information have the Klingons gleaned about the U.S.S. Discovery? How will L’Rell’s injury affect her decisions? Why did Stamets’ reflection persist in the mirror? Do we trust Lt. Tyler? How will Harry Mudd attempt to exact his revenge? But, more importantly, if we are indeed following the hero’s journey, what is the the threshold Burnham — and, by extension, Saru — must cross? For this is the step that will define the actual path ahead.

Next episode: “Lethe”

 

Random Thoughts and Observations:

  • Sorry, folks. The future will not solve snoring.
  • Did we get all the swearing out of the way?
  • Can I get one of those futuristic toothbrushes?
  • How did L’Rell find her way to the Klingon ship so quickly?
  • How did the Klingon ship know where to find Captain Lorca? The Klingons called him by name in the shuttle.
  • Love that Lt. Stamets uses the pronunciation of a mushroom variety as an alternative to the “To-may-to” “To-mah-to” saying.
  • We can assume that not everything Harry told Lorca about his past is true.
  • There are three lights.
  • Nice to be reminded that eugenics experiments are still forbidden.

“Tilly, what the hell is going on on this ship?” – Star Trek Discovery Review – Context Is For Kings

Star Trek: Discovery Season 1, Episode 3
“Context is for Kings”
Posted by Clinton
Source: Giphy.com

In a series where flawed heroes will either rise or fall, the U.S.S. Discovery may be the most flawed of all.

The U.S.S. Discovery is a doomed ship. At least its mission appears to be. After all, the biotechnology research that Lt. Paul Stamets (Anthony Rapp) is conducting bears no resemblance to anything we have seen before, or since, in the “Star Trek” universe. That would indicate one of two things: the experiment is a catastrophic failure, or the experiment is a resounding success which places the ship out of this universe, if not time itself. Either way, Discovery, or at least members of its crew, are most likely doomed.

Discovery’s sister ship, the U.S.S. Glenn, has born witness to the volatile nature of the so-called “spore drive.” That ship’s attempt at a “Speirein 900” displacement apparently propelled it to the edge of Klingon space, but also killed every crew member on board. Stamets’ friend and colleague, Straal (Saad Siddiqui) spoke of the advantages of “not growing your own,” possibly hinting at the involvement of the creature that rampaged through the corridors of the Glenn. That creature is now aboard Discovery.

And what do we know of Discovery? We know that she is “right off the assembly line” new. We see that her Captain, Gabriel Lorca (Jason Isaacs) not only wants to win the Federation-Klingon war, he is willing to do anything at all to make that happen. We see indications that Discovery’s security officer, Comdr. Ellen Landry (Rekha Sharma) has no use for Vulcans. And there are indications that the science being conducted aboard Discovery is probably not something the United Federation of Planets would approve.

trekgate.tumblr.com

As we learned in episodes one and two, each character on “Star Trek: Discovery” is presented to us with a potentially fatal flaw and will be defined by how they act over time. That could very well include the Discovery herself.

Last week I spoke of the journey of Michael Burnham (Sonequa Martin-Green). How far she had fallen, and what heights she must scale to reach redemption. In “Context is for Kings,” she had to run the gauntlet of scorn, ridicule and rejection to finally begin the long climb up, both figuratively and literally.

It has been six months since Burnham was sentenced to life in prison for her crimes. Crimes she confesses to Saru (Doug Jones) that she thinks about every single day. She has withdrawn into herself, defaulting to her swallowed-emotions Vulcan upbringing. She is so far removed she does not even struggle against the impending destruction of her prison transport shuttle. In fact, she seem calm in the face of near-certain death.

It seems nothing in this universe can break through that wall. Nothing, save one thing: the relentless, unbridled, enthusiasm of Cadet Sylvia Tilly (Mary Wiseman). Not at first, of course. This relationship starts off as icy cold as space itself. Then tension turns to an uneasy truce. By the end of the episode, Burnham shares not only a book with Tilly, but something more precious — a memory. It seems that Tilly will play a key role in Burnham’s journey.

Source: ezrisdax.tumblr.com

TIlly, in return, offers Michael Burnham something the others can not, an actual connection with her humanity. Saru can offer an alien’s cautious respect and Captain Lorca can give Burnham purpose while still hiding secret agendas. But Tilly cares. Yes, she wants to be mentored, but she is honest and up-front about it. She is not afraid to admit she is wrong. Her wide-eyed optimism is an exaggeration of what many have come to associate with “Star Trek.”

So now we must also carefully watch Cadet Sylvia Tilly. She may be our canary in the coal mine. If her enthusiasm sours, or something untoward happens to her, Michael will surely stumble.

And on board the U.S.S. Discovery, a stumble can be a very, very dangerous thing.

Next week: “The Butcher’s Knife Cares Not for the Lamb’s Cry

Random thoughts and observations:

  • Is Lorca so badass he can actually stop a tribble from reproducing?
  • We have our first two “red shirt” deaths, as “unnamed prison shuttle pilot” tumbles away in space and non-speaking role security office Kowsky is killed by the creature on the Glenn
  • The [threat ganglia] on the back of Saru’s neck have flipped open again, this time as the prison shuttle departs. The first time we saw this, the Klingon ship decloaked in front of the Shenzhou.
  • Captain Lorca is very into standing desks and stand-up meetings
  • We continue to see eye close-up shots
  • Is a black badge special ops or something else? I don’t believe it’s Section 31, as they are more discreet about their operations
  • Nice re-imagining of the TOS square data tape
  • The engineering test bay has a vibe that actually feels like a step towards the TOS aesthetic, with hints of “Enterprise”
  • Nice collection of twisted memorabilia in Lorca’s science lab